Pervert in Silence —Juan Poyuan Solo Exhibition
Post date：2022-06-15
Updates：2022-06-15
124
- Event Time
-
2022-06-10~2022-09-0410:00 - 17:00
- Event Location
- No.1, Syueyuan Rd., Beitou Dist., Taipei City Taiwan, R.O.C
Dates: 2022-06-10~2022-09-04
Gallery: Kuandu Museum of Fine Arts, G401
※During the COVID-19 epidemic, please refer to the official website announcement for the latest event news.
The term "Pervert in Silence"; from the Internet, means how perversion in the silence of speech control and censorship can be used as a new way of the uprising, a line of resistance, in the midst of a long history of failure. By using the exceptions of similar perversions and mental faculties that are superficially conforming to the rules, an inner variation to break through the limits of the exceptions, using the conforming state as a means of voice and resistance, merging with the silence, and using that outer skin that seals us in to stand out in our own shape.
The exhibition attempts to use machinima as a form and tool of discursive creation for online ethnography, historical writing, and field research, opening up the possibility of writing and changing digital history through machinima, a kind of narrative that borrows the fulcrum of the game (cultural) framework and comes from the comparative vision of the player (controlled) outside the official (controller), non-subjective, and non-major narrative of the game. viewpoint. In this way, Poyuan continues to think about Machinima as a tool for the production of resistance media and external narratives in the digital world. To open up the consideration of Machinima as an attitude of resistance in the post-Internet era.
Gallery: Kuandu Museum of Fine Arts, G401
※During the COVID-19 epidemic, please refer to the official website announcement for the latest event news.
The term "Pervert in Silence"; from the Internet, means how perversion in the silence of speech control and censorship can be used as a new way of the uprising, a line of resistance, in the midst of a long history of failure. By using the exceptions of similar perversions and mental faculties that are superficially conforming to the rules, an inner variation to break through the limits of the exceptions, using the conforming state as a means of voice and resistance, merging with the silence, and using that outer skin that seals us in to stand out in our own shape.
The exhibition attempts to use machinima as a form and tool of discursive creation for online ethnography, historical writing, and field research, opening up the possibility of writing and changing digital history through machinima, a kind of narrative that borrows the fulcrum of the game (cultural) framework and comes from the comparative vision of the player (controlled) outside the official (controller), non-subjective, and non-major narrative of the game. viewpoint. In this way, Poyuan continues to think about Machinima as a tool for the production of resistance media and external narratives in the digital world. To open up the consideration of Machinima as an attitude of resistance in the post-Internet era.
