One Art Taipei 2024 | Hotel Metropolitan Premier TaipeiPost date：2024-01-24
Updates：2024-01-31
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- Event Time
- 2024-01-27~2024-01-28Sat. - Sun. 11:00 - 19:00
- Event Location
- Hotel Metropolitan Premier Taipei, Zhongshan Dist., Taipei City Taiwan, R.O.C
"Yasashi's Room"
Aiko TEZUKA specializes in using antique textiles as the primary medium for her creations. In the process of deconstruction and reconstruction, she delves into the meaning of cultural artifacts across different eras, generating new significance through the processing and interweaving of warp and weft. Yoshie KURODA crafts three-dimensional fantasy creatures using discarded clothing, breathing new life into her creations and continuously exploring the concepts of "existence" and "connection" in life. Yih-Han WU, deeply influenced by the painting style of the Northern Renaissance, focuses on female symbols as her creative theme. In recent years, she has depicted voluptuous female bodies, persistently exploring the restrictions and frameworks imposed on women by modern society. Hsin-Ying LIU excels in transforming abstract feelings about life and perception into the whispers, breaths, and strength within the language of painting. Her recent experimentation with a Tufting gun involves weaving colors on canvas. Ohya KANAKO primarily explores daily scenes and themes related to girls. With a translucent lavender base and blurry faces, she seeks to explore the meaning of memory for individuals themselves. The characters in her paintings do not represent specific roles, allowing viewers to project themselves into the scenes. Ai YAMAGUCHI combines delicate lines with traditional ukiyo-e and contemporary Japanese subcultures, experimenting with various media such as shells, ceramic plates, wooden barrels, etc. Breaking away from the traditional rectangular canvas, she employs irregular shapes as the basis for her creations. The artworks exhibited at OAT use circular cotton fabric as the main medium. Chu-Chun HO often features herself as the protagonist in her paintings, using a meticulous and realistic photographic technique to depict themes. Upon closer examination, one can discover that the scenes are often set in water and fire, drawing from the artist's childhood memories.
Alison MATUTE, also known as Mrs. Zukie, is a contemporary artist and muralist from New York City, as well as the creator and designer of the Zukie character. This genderless and mysterious creature, Zukie, exists in the streets of the United States with a daily cartoon pop art style. Mrs. Zukie's goal is to spread Zukie's love worldwide. Shu-Yu LIU has long been concerned about the development and expansion of urban space. Her works often combine printmaking, ceramics, digital drawings and spatial installations, trying to create the in-between that blends virtuality and reality. The themes depicted in Ai SHINOHARA's works use elements such as beautiful flowers and vines to express the unique romance and innocence of girls in the flowering season. She is accustomed to employing classical oil painting techniques, layer by layer, to create a collection of affectionate poems. Asuka IRIE's works have a strong ukiyo-e style of Japan's Edo period. By combining printmaking with collage techniques, she creates unique composite media creations, adding to the richness of the work's images.
Welcome to Yasashi's Room, where an intriguing journey through time and space is about to commence, creating a macroscopic and soft room from different female perspectives.
Aiko TEZUKA specializes in using antique textiles as the primary medium for her creations. In the process of deconstruction and reconstruction, she delves into the meaning of cultural artifacts across different eras, generating new significance through the processing and interweaving of warp and weft. Yoshie KURODA crafts three-dimensional fantasy creatures using discarded clothing, breathing new life into her creations and continuously exploring the concepts of "existence" and "connection" in life. Yih-Han WU, deeply influenced by the painting style of the Northern Renaissance, focuses on female symbols as her creative theme. In recent years, she has depicted voluptuous female bodies, persistently exploring the restrictions and frameworks imposed on women by modern society. Hsin-Ying LIU excels in transforming abstract feelings about life and perception into the whispers, breaths, and strength within the language of painting. Her recent experimentation with a Tufting gun involves weaving colors on canvas. Ohya KANAKO primarily explores daily scenes and themes related to girls. With a translucent lavender base and blurry faces, she seeks to explore the meaning of memory for individuals themselves. The characters in her paintings do not represent specific roles, allowing viewers to project themselves into the scenes. Ai YAMAGUCHI combines delicate lines with traditional ukiyo-e and contemporary Japanese subcultures, experimenting with various media such as shells, ceramic plates, wooden barrels, etc. Breaking away from the traditional rectangular canvas, she employs irregular shapes as the basis for her creations. The artworks exhibited at OAT use circular cotton fabric as the main medium. Chu-Chun HO often features herself as the protagonist in her paintings, using a meticulous and realistic photographic technique to depict themes. Upon closer examination, one can discover that the scenes are often set in water and fire, drawing from the artist's childhood memories.
Alison MATUTE, also known as Mrs. Zukie, is a contemporary artist and muralist from New York City, as well as the creator and designer of the Zukie character. This genderless and mysterious creature, Zukie, exists in the streets of the United States with a daily cartoon pop art style. Mrs. Zukie's goal is to spread Zukie's love worldwide. Shu-Yu LIU has long been concerned about the development and expansion of urban space. Her works often combine printmaking, ceramics, digital drawings and spatial installations, trying to create the in-between that blends virtuality and reality. The themes depicted in Ai SHINOHARA's works use elements such as beautiful flowers and vines to express the unique romance and innocence of girls in the flowering season. She is accustomed to employing classical oil painting techniques, layer by layer, to create a collection of affectionate poems. Asuka IRIE's works have a strong ukiyo-e style of Japan's Edo period. By combining printmaking with collage techniques, she creates unique composite media creations, adding to the richness of the work's images.
Welcome to Yasashi's Room, where an intriguing journey through time and space is about to commence, creating a macroscopic and soft room from different female perspectives.
